Showing posts with label record store day. Show all posts
Showing posts with label record store day. Show all posts

Embedded: Record Store Day special for Radioaktiv

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Every week I put together a show for the internet station Radioaktiv (Wednesdays at 9pm BST if you're keen) and my main interest is highlighting decent new releases. This week because of Record Store Day there are very few of these, and larger record labels in particular have gone re-issue crazy. I don't think my feelings about Record Store Day have changed much in the three years since I wrote this post
but this year it has meant that I have rediscovered lots of older music. So I decided to put together a show which highlighted some of the ones I was interested in, whilst adding some songs that celebrated the whole culture around record shops. The show is embedded below, enjoy!


Slow Thrills Record Store Day special 2014 for Radioaktiv by Slowthrills on Mixcloud

LISTEN: Animal Collective's Record Store Day release, Transverse Temporal Gyrus

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I have to admit I didn't even notice this one in the list, but Animal Collective released a new 12" record for RSD12.

Animal Collective

Transverse Temporal Gyrus

DETAILS
Format: LP
Label: Domino
Release type: RSD Exclusive Release
More Info:

In March 2010, Animal Collective and visual artist Danny Perez (director of Oddsac, "Summertime Clothes" video, "Who Could Win A Rabbit" video, "You Can Count On Me" video , and Panda Bear live visuals) put on an installation called "Transverse Temporal Gyrus" at the Guggenheim Museum in New York City. For the audio, each member of the band made individual sounds and songs. Over the course of two three-hour performances, the basic tracks were fed into a computer program that randomized the track order, and sometimes randomly combined stems from one track with stems from another. The program also panned the music in various directions around a 36 channel surround sound system that ran through 36 speakers set up from the top of the Guggenheim's l ramp to the bottom. The music on this 12" is a collage we made consisting of the original tracks, as well as live recordings made inside the Guggenheim before the doors were opened to the public. It will be the only physical format on which any of the music will be released. Coinciding with Record Store Day, we will also launch a website that recreates the audio computer program designed for the Guggenheim event. This will give listeners a new and unique collage each time the program is run. Danny Perez, who created the artwork for this 12", will also create video content for the website consisting of footage from, and projections used in the original event.

For those of you who couldn't get a copy and are curious to hear it, both sides have now been uploaded to youtube and can be heard below. The website they mention is now live and can be found at ttg.myanimalhome.net

Side one


Side two

Record Store Day 2012

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Now into it's fifth year, international Record Store Day continues its drive to get people back into their local record shops with a string of exclusive releases and in-store events. I'm officially too skint to really indulge myself, and the thought of paying £6.99 for a 7 inch single is very alien to me. Last year I wrote a piece reminiscing about the record shops of my youth in Northern Ireland which ended with a ray of hope for two new shops. The larger of these, Head, has now closed in unfortunate circumstances which I assume you will know about if you read this blog as it is my most read page ever (and it's on the Huffington Post too).

As I said, I'm unlikely to buy anything but that doesn't stop me drooling some of the releases, so I've put together a list of the most attractive ones as a public service to you people (!), including a couple of beauties that seem to be only available in North America.


The Fall
Night Of The Humerons

7" exclusive tracks
QTY: 1000
Label: Cherry Red Records
I've no idea what this is, apart from the "exclusive tracks" comments, which I assume means they will be new songs featuring the current line-up. 1000 copies of this, so I reckon it should hang around a while.

*UPDATE - SEE COMMENTS FOR MORE ON THIS*


Tortoise
Lonesome Sound/Mosquito

2x7"
Label: Thrill Jockey
Both tracks previously released although very hard to get. 'Lonesome Sound' was from their very early days (pre-first album) and it's a cover of a Freakwater song, which of course means there's a rare vocal on it. 'Mosquito' is funkier than a lot of people might expect from Tortoise.


Various Artists
Smugglers Way

Domino records fanzine with 5x flexidiscs
Label: Domino
Smuggler’s Way is Domino and Ribbon’s first ever zine featuring FIVE individual, multi-colored Flexi discs of EXCLUSIVE, UNRELEASED songs from Dirty Projectors, Real Estate, Cass McCombs, John Maus and Villagers. The zine comprises 24 pages of original art and prose from Domino and Ribbon artists. Highlights include a short story penned by James Yorkston; a long form poem by Laura Marling; short form pieces by Alex Bleeker (Real Estate), Ade Blackburn (Clinic), and Tom Fleming (Wild Beasts); illustrations from Alison Mosshart (The Kills), Andrea Estella (Twin Sister), Conor O’Brien (Villagers) and Jon Hopkins; photography from Jana Hunter (Lower Dens), and an original arranged score of music by Owen Pallett. Bjorn Copeland of Black Dice designed the cover and Rob Carmichael at SEEN is responsible for the art direction and layout.

John Maus track


Mastodon/Feist
A Commotion/Black Tongue

7"
Qty 700
Label: Roadrunner

I reckon this is the best, and maybe most unlikely of the split singles where they cover each others songs. Listen below. It is spelt 'tongue' though isn't it?




Francois And The Atlas Mountains/Slow Club
Gold Mountains/Edge Of Town

7"
Label: Domino
Another split 7 where they cover each others songs. Here's Slow Club's cover of 'Edge of Town' from Francois and the Atlas Mountains recent 'E Volo Love' album.




Guided By Voices
Jon The Croc

7" Ltd edition single on white vinyl from forthcoming album 'Class Clown Spots A UFO'
Label: Fire Records
GBV experts, wasn't this on the 'Suitcase' box? Anyway, it's from the forthcoming album and sounds like this



Human Don't Be Angry
Human Don't Be Angry

LP
Label: Chemikal Underground Records
The album is actually out on 23rd April, but they've brought the vinyl forward by a couple of days. It's a lovely package, and I think it's designed by Aidan Moffat. Anyway, this is another chance to plug my HDBA review on the 405 earlier this week.





Deerhoof/Of Montreal
Stygian x Bisection

7"
Qty: 250
Label: Polvinyl Records
I haven't heard it, but it's going to be alright I'm sure. The other Deerhoof 7"s in this series (Bazan, Xiu Xiu, etc) have been worth hearing.

NORTH AMERICA ONLY


Ryan Adams covers Bob Mould
Heartbreak A Stranger/ Black Sheets of Rain.

limited to 2500 North America only
As a Husker Du fan I'd get this for the sleeve alone, it's lovely!



Unrest
Perfect Teeth
7" box set
I've a CD of this from 1993 but it's pretty hard to get at the moment I think. This edition sounds like a real treat, a classic album repackaged as 6x7” color vinyl (each 7" is on a different color), 24 page booklet in letter pressed sleeve. Properly collectable I reckon.



Record Store Day(s): down memory lane

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There has been much debate about Record Store Day this year, a fact which has no doubt helped contribute to amazing queues outside some independent record shops across the country. Rough Trade East in London had a queue of nearly 1000 people! Personally, as a parent of two young children, with very little disposable income, the days of spending £7 on a limited edition 7" or £20+ on vinyl lps are pretty much over. I'm still an obsessive music fan, but these days I mostly get to listen on my laptop, so Spotify and my ripped CD collection does just fine. Also, I recently moved my 1000+ record collection and it damn near wrecked my back ( and I've been on a heavy lifting course!) Having said all that, I should add that Record Store Day fills me with hope. In my teens and 20s visiting record shops was the main thing I did in my spare time, and the first thing I did when I visited any new town. I knew most of the decent shops in Belfast and Dublin, and I have fond memories of visiting shops in London, Manchester, Leeds and Glasgow - I even went through a stage of keeping the plastic bags from the shops I bought the records in. Although it's not quite in the spirit of RSD, but I was also a voracious bargain hunter.

This whole day - especially when relayed through tweets from round the world - makes me nostalgic for the record shops I grew up with.
During my high school years in Lisburn, Northern Ireland, there were four independent record shops - IT in Bow Street (which got taken over by another indie Harrison Musique), Sounds, Caroline Music, and the slightly shorter lived Punch & Judy.

"It" - presumably named after the It girl
Clara Bow whose image adorned the record bags - was probably the first one to become an essential stop-off on my walk to the bus-stop. It had the widest range of stock and you could get
slightly obscure items in it, though the people who worked there weren't necessarily that obsessed with music the way a lot of us school kids were. The oldest record I still own that I bought there is a 7" (non pic sleeve) of Reward by the Teardrop Explodes.

I bought Dare and Kings of the Wild Frontier in there, my first 2 proper albums. "Sounds" in Bridge Street was a bit more of a music fans hang out, though it was slightly off my walk home and tended to concentrate mostly on heavy metal of the NWOBHM variety. It was the first place I heard Slayer and Metallica for instance. Punch & Judy was round the corner but never really caught on with my crowd, though it had a 'record fair' for collectors upstairs on a Saturday, and Caroline Music was huge and a good place to hang around and get indie chart stuff really cheaply, but it was a lesser relation to its original shop in Belfast. It was also home to my first record shop crush - hello Amanda wherever you
are, and I still have a huge collection of 12"s all picked up cheaply there - MBV, Saint Etienne, Boo Radleys, etc.

None of those shops are there anymore, although the Caroline site is home to a music/ game/ DVD exchange place, and an even sadder fact is that the shops I loved and hung around in Belfast a few years later are also gone.

I know that the shops I frequented in Belfast during skiving off sixth form studies, and later whilst at university, played a major part in shaping my musical tastes and building my social life. Of these I narrowly preferred Heroes and Villains and Caroline Music to the semi-legendary Good Vibrations, but the best one, in my opinion, was Dr Robert which didn't start trading until 1992 but soon established itself by having the coolest records first and acting as a hub for local music fans to interact and sell their own releases.

Schoolboy visits to Belfast on Saturdays invariably took in a trawl around the city's wealth of independent shops, from the cool ones - Good Vibes, Caroline, Makin Tracks - to the never fashionable Golden Discs and the Gramophone Shop.
Makin' Tracks was right in the heart of Cornmarket next to British Home Stores and was often the only place to get gig tickets. In fact any decent gig poster during the 80s bore the legend Tickets: Makin Tracks and usual outlets. You knew where to go. Bear in mind that this was Troubles era Belfast, there were heavy security restrictions within the city centre and many of the larger department stores searched their customers and their bags on arrival. We had no Tescos, Asdas or Sainsburys, never mind a Virgin megastore or HMV. Mainstream chart records could be bought in Woolworths and that was that, so it is no wonder that the indies flourished. Remember these were the days that singles used to sell in six figure quantities.

Caroline in Ann St had probably the best range of interesting independent releases, very in tune with 80s punk, c86 and pre-Grunge US underground. Whilst watching a very early Therapy? gig in the Art College they were joined by a sax player for the wig-out that was 'Loser Cop'
(sadly not a direction they followed) and me and my friends just knew him as one of the guys from Caroline. Ahh, those were the days.

Heroes and Villains followed Good Vibes lead in naming their shop after the Beach Boys and it occupied the southern end of Bradbury Place, and as part of the independent Chain with No Name it was a valuable source of indie chart and new releases during the shoegaze era in particular. I ended up getting friendly with some of the people who worked there, and I often DJed with them in QUB and the nearby Laverys.

Good Vibrations had the coolest history, as it was home to the label that released 'Teenage Kicks' and quite a few tasty pop/punk 7"s but by the time I got to know it, GVs had moved premises quite a few times and was being reborn in a small first floor space above a travel agents/ insurance place on Gt Victoria Street. Happier times were ahead when it moved across the road, nearly next door to the new dole office and, after the large Caroline Music died a death around 1990 it carried an impressive range of American independent releases (Touch and Go,Sub Pop etc). This section was largely the effort of the infamous Angus, who went on to work in Dr Robert and became known hereafter as Angus from Dr Robert.

Dr Robert struck a blow for the indies and the Belfast music scene at the beginning of a transition period. By the time it opened there was a Virgin megastore, though the main supermarkets had still to arrive. It dominated Church Lane, just off Ann St where Caroline had been, and quickly became the place to get your independent new releases as well as local releases and just to hang out, read the notices, get members for your band etc etc. When our fanzine The Weedbus came out, it flew out of the door in Dr Roberts, but we always got returns from Good Vibes or Heroes and Villains.

Time passed and the respective owners of Heroes and Villains and Dr Robert left the country for foreign pastures, the other shops died away and Good Vibes was eventually closed following an epic headache-inducing tax investigation which meant that they couldn't carry on. Undaunted, Terri Hooley reopened a shop as Phoenix records near Smithfield and soon changed it's name to Good Vibrations.
The colour and vibrancy which these shops added to the city's music scene - particularly during the really bad times - has to be celebrated. That's why I wrote this. There is precious little about any of these shops to be found on the internet. When I get a chance I will try and scan in their logos as a lasting reminder of their existence.

Surprisingly, consider the country's economic fortunes, this last year has been more positive for the smaller shops in Belfast. Recent visits there have led me to two new arrivals. The small but very cool Dragon Records above a tattoo studio near the city hall. I bought some records by Destroyer that I hadn't seen before the last time I was there, and I'm glad I could spend some money as they opened the shop up for me as I think the guy was going for his lunch! Head records is also new, it's much bigger, in a shopping centre and part of a small chain. I spent over an hour there last time - the thrill of a fresh record shop came back to me. I spent a lot of that hour talking with local musician Tom McShane, who also works there and is responsible for organising their RSD event. I exited with 7 CDs though I had a basket of 12 at one point. A tasty haul of American indie, all cheaper than I would have found it in London. I hope they all had a good day's business and they will be around for Record Store Day next year.