Showing posts with label The Wave Pictures. Show all posts
Showing posts with label The Wave Pictures. Show all posts

Favourite gigs of 2013

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A slightly smaller tally of gigs attended this year, I think it ended up as something like 38 gigs and four three-day festivals, three of which were All Tomorrow's Parties. To be honest I saw so many good performances at the final three ATPs that I could have done a top 10 of those alone. Next year is bound to have a different dynamic of course. As usual I have tried to find some amateur footage of the gig in question, which isn't always possible.

1. My Bloody Valentine, Hammersmith Apollo, March

I have seen My Bloody Valentine many times over the years, so I was delighted to see that they were on top form both nights at Hammersmith. The first night shades it, I thought it was flawless,and underlined why they are one of my favourite bands of all time. I reviewed it here.



2. Deerhunter's ATP hat-trick, All Tomorrow's Parties, Camber Sands, June

Deerhunter have always been an impressive live band, and their ambitious task of playing three albums on three consecutive nights at ATP was always going to be a challenge. It turned out to be a triumph, and it was actually too hard to single out which of the shows was my favourite. My report on the whole festival is here.



3. Colin Stetson, London Cafe Oto, October

It's always great to see a musician and marvel at how they are doing what they are doing. In Stetson's case, he manages to bring percussion, melody lines and fills out of his bass sax, all without the aid of electronic trickery. It was even better to see this at close range in such an intimate setting.


4. Kraftwerk 3D, Latitude Festival, July

After the frustration of missing out on tickets for their Tate Modern shows, i was pleased that this show was every bit as good as I had hoped. They played a "greatest hits" set, not hugely different from the last time I saw them nine years ago, but the 3D made it special. Festival report here


5. Television performing Marquee Moon, All Tomorrow's Parties, Camber Sands, November

I'm sure people will be surprised at how high this is in my gigs of the year but, having been utterly disappointed by them in 2002, I thought I probably wouldn't even see Television again. This performance however, was stellar, and the guitar interplay was just beautiful.


6. White Fence, Tufnell Park Dome, May

White Fence were a revelation both times I saw them this year (the other was at the final ATP). I could take or leave their records up to this point, but they stole the show at this five band bill.

7. Parquet Courts, London Sebright Arms, March


Arriving on a wave of hype, Parquet Courts actually managed to live up it with this blistering show in the cosy basement of the Sebright Arms. It is unlikely that I'll see them anywhere as intimate again.

8. The Wave Pictures, London Lexington, December

This was billed as their Christmas party, but there were no cheesy seasonal tunes, just a career spanning set and some choice covers (Daniel Johnson, Lou Reed, the Modern Lovers). David Tattersall's guitar playing is worth seeing anyway, but I particularly loved the way the three of them fit together as a tight, minimal unit.

9. Factory Floor, London Corsica Studios, September

A wonderful, trance-like set just before the album came out, which seemed to hold the room in its spell. The best compliment that I can pay it is that, at the end, I couldn't tell whether they had played for ten minutes or two hours. They seemed so unstoppable it was a shame when they ended.


10. Tim Hecker, Pete Swanson, London St John's Church, September

This got into the top 10 by a nose, mainly because of the double bill of Swanson's brilliantly abrasive noise and Hecker's immersive ambient pieces, and also because the setting of this big old church fitted the music perfectly.

Honourable mentions for those great acts I saw that were just squeezed out of this top 10, take a bow, Shellac, Loop, Mogwai, John Grant, Swans, the Sea and Cake, Daughter, Dan Deacon, Yo La Tengo (twice!), Melody's Echo Chamber, Dinosaur Jr, Ex Models, the Breeders, Tortoise, Scout Niblett, Bored Spies, the Pastels.

The best album releases of the month, October 2013 edition

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Firstly, there are TOO MANY releases in October, and secondly, at least 16 of the 31 I listened to deserved to be in this highlights selection. However, as I'll be re-organising this section in 2014 I decided to whittle it down to ten as normal. Without further ado here is my hotly contested top 10 from October.




The Wave Pictures 'City Forgiveness'
my review (the 405)
A 90 minute double album full of inspired lyrics and audacious guitar playing. Surely their finest work to date.
I'm having trouble uploading images today so instead, why don't you watch the drummer do a little dance in this Darren Hayman directed video


Teeth of the Sea 'Master'
Somehow this lot are up to their third album already. Their by now familiar motif of rich synth work and kraut-rock percussion (with emphasis on the ROCK) is a joy to behold on 'Master'


Daniel Avery 'Drone Logic'
First brought to my attention by dropping mbv into a 6 music mix, this album is more 4/4 techno than experimental electronica. It's actually quite refreshing to hear the old-school material here. One this clicks with you, it's hard to leave it alone.


Lee Ranaldo and the Dust 'Last Night on Earth'
The definite upside to the demise of Sonic Youth as a unit is the complete sprawl of solo albums and projects. Here, Lee gets even freer to indulge his Paisley Underground style songs and Grateful Dead style wig outs. Superb.



Tim Hecker 'Virgins'
The whole 'Ravedeath'/ 'Dropped Pianos' thing has connected Hecker's work with church based imagery - in particular the church organ. This continues that theme, as it sounds by turns, large, cold, empty, and often strikingly beautiful. Perhaps more varied than previous releases, this is one to play to people who think he is only about the drone.


Laurel Halo 'Chance of Rain'
A striking follow-up to 'Quarantine', and an album to get completely lost in. Immersive electronica. There you go, new genre?! Seriously though, this is the kind of thing I wish Flying Lotus would do more of.


Lisa O'Neill 'Same Cloth or Not'
Shamefully, I haven't included many Irish releases in these "tens" this year. Well, here's one. Hailing from Co Cavan, and somehow connected with the Fence artists like James Yorkston, Lisa sings in her own accent and has written some great modern folk songs that suit her delivery perfectly.


Oneohtrix Point Never 'R Plus Seven'
The consensus on 'R Plus Seven' is that it is one of the finest albums that Daniel Lopatin has put his name to. It sounds amazing, that's for sure, and the pieces flirt with minimalism whilst still bringing that arresting glitch-type trademark of his. If you have any interest in electronica at all this is a must hear.


Black Hearted Brother 'Stars Are Our Home'
A sort of shoegaze supergroup would you believe. A trio comprising of Neil Halstead (Slowdive, Mojave 3), his regular producer Nick Holton and Mark Van Hoen (Seefeel), this is not simply the Halstead show. Instead it is tinged with space-rock and electronic beats, and manages to be something which is a healthy sum of its parts rather than some half-baked jam sesh.


Future of the Left 'How to Stop Your Brain in an Accident'
Rowdy, riotous, punk rock fun, but not in a stupidly crass way. Oh no, 'How to Stop Your Brain..' is an incisive slice through today's weird world which makes you sit up and listen. Someone described them as the Welsh Shellac, and although that does seem very niche(!) it is accurate.