Showing posts with label mbv. Show all posts
Showing posts with label mbv. Show all posts

Favourite gigs of 2013

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A slightly smaller tally of gigs attended this year, I think it ended up as something like 38 gigs and four three-day festivals, three of which were All Tomorrow's Parties. To be honest I saw so many good performances at the final three ATPs that I could have done a top 10 of those alone. Next year is bound to have a different dynamic of course. As usual I have tried to find some amateur footage of the gig in question, which isn't always possible.

1. My Bloody Valentine, Hammersmith Apollo, March

I have seen My Bloody Valentine many times over the years, so I was delighted to see that they were on top form both nights at Hammersmith. The first night shades it, I thought it was flawless,and underlined why they are one of my favourite bands of all time. I reviewed it here.



2. Deerhunter's ATP hat-trick, All Tomorrow's Parties, Camber Sands, June

Deerhunter have always been an impressive live band, and their ambitious task of playing three albums on three consecutive nights at ATP was always going to be a challenge. It turned out to be a triumph, and it was actually too hard to single out which of the shows was my favourite. My report on the whole festival is here.



3. Colin Stetson, London Cafe Oto, October

It's always great to see a musician and marvel at how they are doing what they are doing. In Stetson's case, he manages to bring percussion, melody lines and fills out of his bass sax, all without the aid of electronic trickery. It was even better to see this at close range in such an intimate setting.


4. Kraftwerk 3D, Latitude Festival, July

After the frustration of missing out on tickets for their Tate Modern shows, i was pleased that this show was every bit as good as I had hoped. They played a "greatest hits" set, not hugely different from the last time I saw them nine years ago, but the 3D made it special. Festival report here


5. Television performing Marquee Moon, All Tomorrow's Parties, Camber Sands, November

I'm sure people will be surprised at how high this is in my gigs of the year but, having been utterly disappointed by them in 2002, I thought I probably wouldn't even see Television again. This performance however, was stellar, and the guitar interplay was just beautiful.


6. White Fence, Tufnell Park Dome, May

White Fence were a revelation both times I saw them this year (the other was at the final ATP). I could take or leave their records up to this point, but they stole the show at this five band bill.

7. Parquet Courts, London Sebright Arms, March


Arriving on a wave of hype, Parquet Courts actually managed to live up it with this blistering show in the cosy basement of the Sebright Arms. It is unlikely that I'll see them anywhere as intimate again.

8. The Wave Pictures, London Lexington, December

This was billed as their Christmas party, but there were no cheesy seasonal tunes, just a career spanning set and some choice covers (Daniel Johnson, Lou Reed, the Modern Lovers). David Tattersall's guitar playing is worth seeing anyway, but I particularly loved the way the three of them fit together as a tight, minimal unit.

9. Factory Floor, London Corsica Studios, September

A wonderful, trance-like set just before the album came out, which seemed to hold the room in its spell. The best compliment that I can pay it is that, at the end, I couldn't tell whether they had played for ten minutes or two hours. They seemed so unstoppable it was a shame when they ended.


10. Tim Hecker, Pete Swanson, London St John's Church, September

This got into the top 10 by a nose, mainly because of the double bill of Swanson's brilliantly abrasive noise and Hecker's immersive ambient pieces, and also because the setting of this big old church fitted the music perfectly.

Honourable mentions for those great acts I saw that were just squeezed out of this top 10, take a bow, Shellac, Loop, Mogwai, John Grant, Swans, the Sea and Cake, Daughter, Dan Deacon, Yo La Tengo (twice!), Melody's Echo Chamber, Dinosaur Jr, Ex Models, the Breeders, Tortoise, Scout Niblett, Bored Spies, the Pastels.

The best album releases of the month, February 2013 edition

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Another month, another wade through 25 or so albums in an attempt to pick-only-ten. I should point out that, although I have been looking forward to the new Autechre album, I haven't got around to hearing it yet. It is also over 2 hours long so I wouldn't be able to cram it in even it landed in my lap this afternoon. I haven't heard Atoms for Peace either - February is too short! Oh yeah, and the page looks different because the photo uploader has changed its settings. So without further ado, here are my ten picks.


My Bloody Valentine 'mbv'
Along with Mr Bowie, mbv have been responsible for putting some excitement back into releasing records. When the ridiculously long-awaited 'm b v' appeared in the early hours of Sunday 3rd February the buzz was incredible. I've spent a lot of time with this since, and I am still going with what I said on my initial tweets here
and here. It doesn't just preserve their legacy, it adds to it.


Grouper 'The Man Who Died In His Boat'
My late night album of choice at the moment. Although this is essentially a collection of music made around the time of Grouper's 2008 album 'Dragging a Dead Deer Up a Hill', it is much more than leftovers, and may actually be my favourite of her releases. It is a haunted but actually quite beautiful, album.


Matmos 'The Marriage of True Minds'
A concept album from the outset, 'The Marriage' is the results of their attempt to telepathically communicate their intentions for this record to their subjects, who then reported any images or sounds they thought they received. Sound bites are dotted throughout the record by way of signposts. This isn't an easy listen, but it is a rewarding one, and the powerful production brings out some unsettling sounds like the crunches of percussion, screeching violins and a lot of sound effects (splashes, sheep, etc).


Nick Cave and the Bad Seeds 'Push the Sky Away'
I was skeptical about a post-Mick, never mind post-Blixa, Bad Seeds, but this album is easily worthy of the name. It hangs together remarkably well as a set, and comes across as an autobiographical gentler work - with a strong sense of place, absolutely rooted in Cave's adopted home of Brighton.


Dawn McCarthy and Bonnie 'Prince' Billy 'What the Brothers Sang'
my review (the 405)
Dawn McCarthy (Faun Fables) and Bonnie Prince Billy re-interpret some of the lesser known Everly Brothers songs and create a fine album.
"..the way their voices entwine and breathe life into a legendary act often by-passed by today's music fans makes What the Brothers Sang very worthy of your attention."


Girls Names 'The New Life'
The second album from the Belfast band, on which they change direction away from the jangle-pop of their debut, towards a richer post-punk inspired sound. Echoes of bands like the Cure and the Chameleons, although it has enough strong ideas and songs to shake-off any copyist accusations. Poised for great things I hope.


Eat Skull 'III'
I must admit I thought Eat Skull had gone, given the four year gap since their last new material. 'III' comes across as a more accessible record, less discord, more pop, but still delightfully skewed. Potentially one that could win them new fans.


Veronica Falls 'Waiting for Something to Happen'
Simply the purest indie-pop album of the year so far. The punk-goth hints of old have been sidelined in favour of classic indie-pop, and the songs just shine, thanks to a sympathetic production job. Much much better than I expected.


Caitlin Rose 'The Stand In'
I'm not a huge a fan of Americana but this is a record which transcends genre. Strong tunes, superb playing and an impressively assured vocal delivery make this one of the best records of its kind that I will hear all year.


FIDLAR 'FIDLAR'
Apparently their name is an acronym for "fuck it dog, life's a risk", and this is best rowdy punk record I've heard since Metz's debut last year.